| |
© Perceptive Faculty 2
|
|
|
| WV-Nr. |
|
|
| Titel (title) |
|
|
| Technik (technique) |
|
|
| Format (medium) |
| Beta SP, PAL, 4:3, colour, stereo |
|
|
| Entstehungsjahr (year of production) |
|
|
| Entstehungsland (country of production) |
|
|
| Maße/Länge (size/length) |
|
|
| Mitwirkende/Partner (assistent/partners) |
| Maia Gusberti (Kamera), Lisa Holzer (Kamera), Burgi Weiss (Darstellerin) |
|
|
| Unterstützt durch (supported by) |
|
|
| ------- |
|
|
| Auflage (Edition) |
|
| Preis (prise) |
|
| Signatur/Dating/Bezeichnung (signature/dating/designation) |
|
|
| Standort (location) |
|
|
| Besitz (courtesy) |
|
|
| ------- |
|
|
| Ausstellungen (exhibitions) |
| • LKW - 19 Räume Kunstverein Bregenz, Bregenz, A 2000 • Variable Stücke, Galerie im Taxispalais, Innsbruck, A 2001 • coord(), Kunstverein Medienturm, Graz, A 2003 |
|
|
| Festivals (festivals) |
| • Diagonale - Festival des österr. Films, Graz, A 2000 • Avanto - Helsinki Media Art Festival, Helsinki, FI 2000 • Festival for Architecture and Video, Florenz/Florence, I 2000 • Videolisboa, Lissabon/Lisbon, P 2001 • ACCES(s) Electronic Culture Festival, Pau, F 2001 • Batofar Association Signe & Eau, Paris, F 2001 |
|
|
| Vertrieb (distribution) |
|
|
| Literaturnachweis (reviews) |
| Silvia Eiblmayr, Galerie im Taxispalais (ed.), Variable Stücke, Triton Publisher, A-Vienna 2002 |
|
|
| Schlagworte (keywords) |
|
|
| Lizenzvertrag/Archiv (licence contract/archive) |
| Ursula Blickle Videoarchiv (2007) |
|
|
| Verkauf/Vergabe 1 (selling/disposal 1) |
|
|
| Verkauf/Vergabe 2 (selling/disposal 2) |
|
|
| Verkauf/Vergabe 3 (selling/disposal 3) |
|
|
| Verkauf/Vergabe 4 (selling/disposal 4) |
|
|
| Verkauf/Vergabe 5 (selling/disposal 5) |
|
|
| ------- |
|
|
| Beschreibung - D (description german) |
|
|
| Beschreibung - E (description english) |
| Perceptive faculty 2 is the second part of a trilogy attempting to create or portray an instrument which can influence perception of a situation through time scaling. The video image itself is divided into four windows. Corresponding to the four dimensions, the windows show an overhead, side and frontal view and a temporal window (represented by an image in motion). 'Perceptive faculty 2' represents an upward progression from one level of perception to the next. Simulated changes in the tape speed permit varying interpretations of a situation: The level of perception is altered when the speed is reduced, doubled or tripled. When the maximum speed is reached, the viewer enters a temporal level which opens up new spatial perceptions. In this state, the various windows detach from the background to form a new, independent space which has been liberated from customary dimensions. Similar to photographic effects in which over- or underexposure is employed to create new impressions of perception, the 'time scale' is manipulated in this work so that the world is portrayed in new 'temporal perspectives'. (Annja Krautgasser; Translation: Steve Wilder) |
|
|
)